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    • Home
    • About SFDC
      • Our Mission
      • Scholarships
      • Academy
      • Master Classes
      • Online Mentor
      • Summer Intensive
      • LJM
    • The Company
      • Artistic Staff
      • The Company
      • Company II (PTD)
    • Contact
  • Home
  • About SFDC
    • Our Mission
    • Scholarships
    • Academy
    • Master Classes
    • Online Mentor
    • Summer Intensive
    • LJM
  • The Company
    • Artistic Staff
    • The Company
    • Company II (PTD)
  • Contact

Lara Jean Mummert

San Francisco Dance Company

Artistic Director & Choreographer 


CHOREOGRAPHERS GUILD

SAG-AFTRA

AEA

DANCEONE JUDGE


PROFESSIONAL TRAINING & EDUCATION:

Bachelor of Fine Arts • Purchase Conservatory of Dance 

American Ballet Theatre

Alvin Ailey American Dance Theatre

Alonzo King’s Lines Ballet 

Hubbard Street Dance Chicago 

San Francisco Ballet 

Complexions Contemporary Ballet 

The A.C.T. Conservatory​

_________

First we would like to congratulate Lara Jean Mummert, winner of the 2025 YAGP OUTSTANDING CHOREOGRAPHER AWARD.  

At the very young age of 3 Lara Jean stepped onto the dance floor, training in Ballet, Tap, and Jazz. At the age of 9 she was winning dance scholarships around the country and at just age 12 she was an assistant dancer for Brian Friedman, traveling throughout the U.S. She continued her training in most styles, with some of the best artist in the world, Mia Michaels, Gregory Hines, Sonya tayeh, Chris Jacobson, Mandy Moore, and more! Performing their choreography helped Lara Jean understand exactly where she wanted to go in her career. Lara then received scholarships to train with American Ballet Theatre, and Alvin Ailey American Dance Theatre, so she moved to NYC at just 13 years old and by 17 she received full scholarship to the top training school in the country, the prestigious Purchase Conservatory of Dance, where she graduated Summa Cum Laude.


Lara Jean during this time was invited to join the Steps Ensemble of New York City as a principal dancer at age 18. From there she went on to train and perform with Hubbard Street, Metropolitan Opera, NYC Ballet and more. After performing in the United States she was invited by STEPS in Italy, a contemporary ballet company, where she choreographed and performed with them for over 6 months. She then went off to tour with Sesame Street, Bruce Springsteen, Darren Criss, Paris Hilton, and many more other fabulous artists. Lara Jean was then asked to choreograph for Bravo Channel and Oxygen Network, as well as the Metropolitan Opera all in the same year, and now, she is choreographing for Cedar Fair Parks Stunt shows with All Wheel Sports, Netflix and the Musical Anastasia (Set to premiere this August).

Choreography credits include: Metropolitan Opera, Bruce Springsteen, Paris Hilton, Darren Criss, oxygen network, Sesame Street, The Netflix Bridgerton Experience, All Wheel Sports, Kings Island Cedar Fair, California’s Great America, Disney and more.

Lara Jean has won 9 “Best Choreographer Awards” in 2025 alone. She is very excited to see what the future holds for herself and SFDC! 

Yuka Sugiura

Yuka Sugiura is a Neuroperformance Coach who takes a brain-centered approach to help athletes and dancers enhance flexibility, balance, and strength while optimizing recovery. Her framework assesses and trains brain areas and systems that can significantly impact movement – yet are often overlooked in conventional training and therapy. She has worked with athletes in NCAA programs, USA Gymnastics National and World teams, and multiple Olympians. With a highly specialized and adaptable approach, she equips her clients with tools to support long, healthy careers.

Tori Henwood

Tori Henwood

Victoria (Tori) Henwood began dance journey at the age of 3 at Touch of Class Dance Studio in Broomall, Pennsylvania. She soon started a journey of competitive dance where she got to experience the various different disciplines of dance and take from a variety of teachers in the commercial dance industry. At the age of 13, she moved to Northern Kentucky where she continued her training at Expressions Dance Theatre. She continued to competitively dance and was graciously given the opportunity to attend Kentucky’s Governor’s School for the Arts as a dance study. At GSA, she found her love for contemporary concert dance and decided to pursue her passion into college. Tori attended Wright State University as a dance major from 2019-2023, getting to learn from and dance for some of the most brilliant minds. While in the dance program, she also got to perform in pieces from guest choreographers Kiki Lucas, Stewart Owen’s Dance Company, Elizabeth Ramsey, Allison Reny, and Ray Mercer. She spent 6 seasons as a seasonal performer at Kings Island Theme Park in Mason, OH after officially obtaining her Bachelors of Fine Arts in Dance in 2023. In January of 2024, Tori made the decision to move to Las Vegas to widen her knowledge and training in the dance industry. Soon after moving to Vegas, she has had the pleasure to work with various event companies and choreographers that opened her up to the incredible dance community that lives within Las Vegas. Since the move, she has completed Rookie Season with the Vegas Golden Knights as a Vegas Viva, been a reoccurring performer for Insomniac Productions, and is beginning her journey with Elemental Dance Company, a contemporary company based in North Las Vegas

Kristin D’Addario

Ballet Teacher

From an age before recollection, when she danced to pop records while her parents prepared Friday night family suppers, the emphasis was always on how the music was made physical.  And so it made perfect sense when Kristin would land her first professional role at age 9 in the New York City Ballet production of The Sleeping Beauty — a company known for its representation of music.  Of course the company had an affiliated school, the School Of American Ballet, a place where members of the same tribe would obsessively champion the importance of rhythm and harmony, melody and meter.  Kristin had to go there.  And so she did.

She studied under the likes of Suzy Pilarre (notorious not only for her pedagogical brilliance but also for her cantankerous relationship with live class accompanists, and her fondness of the classical piece “Humeresque”).  Her obsession with music was palpable and it was passed on to young Kristin, who was fast becoming a formidable young musical thinker in her own right.

Four years later, sufficiently forged in the way of musicality and dance, Kristin, like any good apprentice-turned-heroine, ventured outward into the wider world where she was recruited by Miami City Ballet (an organization equally obsessed with music and movement, and as such, deeply appreciative of Kristin’s ever-deepening skill set).

Kristin would steadily rise in the ranks at Miami City Ballet until a chance encounter with Alonzo King would change everything.  The great director / choreographer challenged the bourgeoning heroin to deepen her sense of self and to formulate a unique voice as a ballet dancer.  A new forging experience awaited.

She would sign a contract with Les Grands Ballets Canadiens followed by CORE Performance Company, all in the pursuit of sounding a unique voice in the world of ballet.  These institutions would push Kristin to reevaluate her relationship with music, throwing her off-balance in the way that every deep-seeker wants — in a way that strengthened her grasp of the entire enterprise.

A formed artist, worldly and strong, Kristin resolved after her many campaigns to return home — to bring her strengths back to the forthcoming generation of ballet dancers, and to infuse appreciation and mastery of music, movement, and uniqueness of expression with Generation Alpha through her classes and choreography.  

Peter Doll

Ballet Teacher

Peter was born in Ithaca, NY and began his study of classical ballet with his mother and aunt at the Ithaca Ballet. He continued his training at Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary, and at Miami City Ballet School with Truman Finney and Carter Alexander. He was also awarded a full scholarship to Boston Ballet School’s summer intensive.

As a professional dancer, Peter performed with Miami City Ballet, Suzanne Farrell Ballet, Atlanta Ballet, Ballet Nouveau Colorado (now Wonderbound), and as a guest artist with many regional companies on the east coast. After relocating to Atlanta, Peter transitioned into teaching full time, and taught students of all ages at Atlanta Ballet Centre for Dance Education, Georgia Ballet School, Impact Dance of Atlanta and Studio 23. 

Since joining the faculty of Los Gatos Ballet in 2017, Peter has taught levels 2-8, and co-staged The Nutcracker, Cinderella, & Sleeping Beauty, as well as co-creating work for Beyond & Voyage de Danse.

He became Chairman of Faculty in 2021, and was appointed Director of Los Gatos Ballet School in 2022. Mr. Doll also attended Central Pennsylvania Youth Ballet’s Teacher’s Workshop in the summer of 2022 to study the renowned syllabus created by Marcia Dale Weary.

San Francisco Dance Company

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